The Last of Us Episode: The Musical Story of Bill and Frank in a World Leaped by Zombie Warfare

If the hoopla surrounding “The Last of Us” has felt at all excessive through the first two episodes, the third chapter of the HBO series lives up to the weight of all the hype, laying early claim to what will almost inevitably be discussed as one of the best hours of television in 2023.

The show makes use of Linda Ronstadt’s haunting song ” Long, Long Time” to add to the story of love and peace in a world ravaged by zombies.

Bill is the centerpiece of the episode, and it was almost analogous to an episode of an anthology series. Murray Bartlett, who somehow seems to be everywhere at once these days).

After sharing a meal, Frank plays Bill’s piano, kisses him, and winds up staying, well, for the rest of their lives. That culminates with Frank getting ill, choosing to take his own life after one last sumptuous dinner, and Bill deciding to join him in bidding this cruel world goodbye.

I’m happy. Frank says he does not support this and Bill tells him that he was his purpose. It is very romantic from an objective point of view.

Source: https://www.cnn.com/2023/01/29/entertainment/the-last-of-us-episode-3-review/index.html

Endure and Survive: When a Little One Turns into a Big One and Loses His. A Tale of Two Strangers

You can say that the strains of Ronstadts voice will prompt renewed interest in her 1970 hit quicker than you can say that the Kate Bush hit from 1985 received an unexpected resurgence. CNN is a part of Warner Bros. Discovery.

There is no doubt that the story will continue following the announcement of a second season renewal by HBO. Either on its own or in that broader context, a series-defining episode like this one is worth savoring for now, and maybe, for a long, long time.

The fifth hour of the show, subtitled “Endure and Survive,” was a continuation of what we had seen in the third episode of “The Last of us”, as the characters ofJoel andEAely befriending a pair of brothers.

Apocalyptic drama inevitably leads to a lot of people dying. When watching the news, a small-scale tragedy can be hard to ignore even when it involves an innocent person.

The younger child, eight-year-old Sam, found a few moments to behave like kids with his sibling. Sam decorated the places he and his brother, Henry (Lamar Johnson), were forced to hide with childlike drawings. It was sweet, a moment of normalcy within a brutal and chaotic world.

The flashback made you like these characters and root for them. They turned Sam into an inhuman being and then suddenly killed him.

Before someone references the game on which the series is based, a brief reminder that TV shows and games are different animals. Simply put, killing a child in drama is always dicey, because those moments strike the audience in a unique and unsettling way.

From the Last of Us to ‘The Walking Dead’ : A Case Study in the Storytelling of a Teenage Missing Girl

The episode speaks to the fearlessness of the storytelling by producers Craig Mazin and Neil Druckmann, presenting a stark demonstration – if one was still needed at this point – that the stakes in the show’s world are as stark as they come.

In the second season of ‘The Walking Dead’, a girl who went missing was transformed into a glassy-eyed monster, and there is a similar sequence in the first season.

Beyond departing from the comics, that sequence felt genuinely shocking at the time, and reinforced that the show’s dramatic ambitions went beyond mere horror. The scene made fans realize that the series wasn’t a typical one. This one wasn’t afraid to push things to the max and make the viewers uncomfortable and feel the pain of loss along with the characters.”

“The Last of Us” has demonstrated even more impressive range thus far, in the process establishing a strong showcase for guest stars, including Melanie Lynskey in these latest hours. In the video that followed the episode, Mazin pointed out that the relationship between the two protagonists was also impacted by the other subplots.

The emotional wallop the show has delivered helps explain its popularity and social-media footprint – inspiring even the skeptical to tune in – and why the term “zombie drama,” while accurate, is too reductive. If the romantic underpinning of the third episode is what got it noticed, then the latest one, which was available in its regular slot on Hbo opposite the Super Bowl, was also very moving and made viewers feel very bad about their loss.